And that’s the paradox of cinema: the paradox of belief. We don’t simply believe or do not believe. We always believe in a kind of conditional mode. I know very well it’s a fake but, nonetheless, I let myself be emotionally effected.
And that’s the paradox of cinema: the paradox of belief. We don’t simply believe or do not believe. We always believe in a kind of conditional mode. I know very well it’s a fake but, nonetheless, I let myself be emotionally effected.